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Esta es una novela sobre falsificadores y falsarios, con personajes reales que parecen de ficción. La narradora, una crítica de arte que trabajó para una tasadora por cuyas manos pasaban obras falsificadas, relata una historia singular, aunque advierte: «No esperen nombres, estadísticas, fechas. Lo sólido se me escapa, solo queda entre mis dedos una atmósfera impre...

Nehmen wir einmal an, es war so: María beginnt als junge Frau für die beste Kunstgutachterin des Landes zu arbeiten. Enriqueta Macedo, die ausschließlich in druckreifen Sentenzen spricht, lehrt María, wie sich Kunstfälschungen durch genaues Sehen enttarnen lassen. Und sie weiht ihren Schützling in ein wohlgehütetes Geheimnis ein: Als Teil einer Bande erklärt Enriqueta seit Jahren Fakes zu Originalen. Die exzentrischen Betrüger, die im Bohème-T...

A New York Times Book Review Editors' ChoiceNew York Times Notable author María Gainza, who dazzled critics with Optic Nerve, returns with the captivating story of an auction house employee on the trail of an enigmatic master forgerIn the Buenos Aires art world, a master forger has achieved legendary status. Rumored to be a woman, she specializes in canvases by the painter Mariette Lydis, a portraitist of Argentinean high society. But who is t...

At a hotel in Buenos Aires, a woman checks in under a pseudonym. She wears a black fur shawl and has no luggage. She is alone.Over the coming days and nights, she tells a story, which begins with a secret shared in a local bath house, revealing art forgery and fraud on a dazzling scale. At its heart is an enigmatic genius who for years forged portraits of the city's elite, before disappearing without trace. It is a story of influence and intri...

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In the Buenos Aires art world, a master forger has achieved legendary status. Rumored to be a woman, she specializes in canvases by the painter Mariette Lydis, a portraitist of Argentinean high society. But who is this absurdly gifted creator of counterfeits? What motivates her? And what is her link to the community of artists who congregate, night after night, in a strange establishment called the Hotel Melanóclico? On the trail of this myste...

In this dazzling story of art and illusion, secrets and schemes, who is to be trusted - and what is real?From the internationally acclaimed author of Optic Nerve, a New York Times Notable Book 2019'A writer who feels immediately important' ObserverAt a hotel in Buenos Aires, a woman checks in under a pseudonym. She wears a black fur shawl and has no luggage. She is alone.Over the coming days and nights, she tells a story, which begins with a s...

A young woman, gifted but unenthusiastic, takes a job at the City Bank of Buenos Aires. When Enriqueta dies suddenly, alone in her apartment, our grief-stricken narrator gives herself a quest: she will honour her mentor by searching for the mysterious Renee.

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The U.S. debut novel of a celebrated Argentinian author-named a finalist for the Premio Dulce Chacon-blending fiction, history, and personal essay to tell the story of one woman's obsession with art

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María - nicht zu verwechseln mit der Autorin, oder doch? - ist um die vierzig. Sie entstammt der Upper Class von Buenos Aires, schlägt sich aber mit prekären Kulturjobs durch. María hat stets ein lebenskluges Bonmot parat, hält sich selbst jedoch für träge, vergesslich, kurzum: lebensunfähig. Ihre leicht verschrobene Familie sieht das genauso - besonders die wirklich schwierige Mutter, die sich als Schwiegersohn mindestens einen Polospieler wü...

Blending fiction, personal essay, and art history, this debut is a "completely original book" (Mariana Enríquez), "reminiscent of John Berger's Ways of Seeing" (Claire-Louise Bennett), about an Argentinian woman obsessed with art.

Mar¿Gainza was born in Buenos Aires, where she still lives. She has worked as a correspondent for The New York Times in Buenos Aires, as well as for ArtNews. For more than ten years she was a regular contributor to the magazine Artforum and Radar, the cultural supplement of P¿na/12. She has given courses for artists and art critic workshops and was a co-editor of the collection Los Sentidos (The Senses) on Argentinean art.

Alfred de Dreux ha sette anni quando, camminando per Siena con il suo padrino, si imbatte nel grande Géricault, il martire del romanticismo francese, in città per studiare le linee di Simone Martini. Il loro è «uno di quegli incontri che siglano alleanze e segnano destini», perché «il maestro» si rivela non solo pittore di scene epiche con zattere alla deriva, ma abile ritrattista di animali allo stato brado: cavalli, leoni, tigri. Soggetti ca...

Si bien la dinámica relacional de los grupos evangélico-pentecostales se construye entre un "deber ser" enunciado y una serie de prácticas que lo contradicen, y por lo tanto se presenta una realidad signada por tendencias superpuestas de unión/fragmentación, relaciones simétricas/asimétricas, control social/contención, sus modalidades de relacionarse hacen a la consolidación de un tipo de orden social que legitima el ejercicio del poder y las ...